{"id":138,"date":"2014-01-07T13:44:29","date_gmt":"2014-01-07T13:44:29","guid":{"rendered":"http:\/\/www.visualizingvenice.org\/visu\/?p=138"},"modified":"2014-06-24T08:04:09","modified_gmt":"2014-06-24T08:04:09","slug":"eleonora-charans","status":"publish","type":"post","link":"https:\/\/www.visualizingvenice.org\/visu\/archives\/138","title":{"rendered":"Eleonora Charans"},"content":{"rendered":"<p><a href=\"http:\/\/www.visualizingvenice.org\/visu\/wp-content\/uploads\/2014\/01\/Charans_150x150.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-759 size-thumbnail\" src=\"http:\/\/www.visualizingvenice.org\/visu\/wp-content\/uploads\/2014\/01\/Charans_150x150-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><\/p>\n<p><em>Politecnico\u00a0di Milano<\/em><br \/>\n<!--more--><em>eleonora.charans@gmail.com<\/em><br \/>\n<a href=\"https:\/\/independent.academia.edu\/EleonoraCharans\" target=\"_blank\">Eleonora Charans<\/a>\u00a0is a teaching assistant at Politecnico di Milano, where she collaborates with Professor Anna Mazzanti. She graduated in Visual Arts at Universit\u00e0 Iuav di Venezia in 2006 and earned a Ph.D. in Theories and History of Arts from the School of Advanced Studies in Venice Foundation. Charans has contributed to various national and international journals and magazines. Her first book about Gino De Dominicis&#8217; Second Solution of Immortality was published in November 2012 by Scalpendi Editore (Milan). She is a member of Visualizing Venice\u2019s Biennale research group.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Politecnico\u00a0di Milano<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-138","post","type-post","status-publish","format-standard","hentry","category-people"],"_links":{"self":[{"href":"https:\/\/www.visualizingvenice.org\/visu\/wp-json\/wp\/v2\/posts\/138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.visualizingvenice.org\/visu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.visualizingvenice.org\/visu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.visualizingvenice.org\/visu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.visualizingvenice.org\/visu\/wp-json\/wp\/v2\/comments?post=138"}],"version-history":[{"count":9,"href":"https:\/\/www.visualizingvenice.org\/visu\/wp-json\/wp\/v2\/posts\/138\/revisions"}],"predecessor-version":[{"id":1159,"href":"https:\/\/www.visualizingvenice.org\/visu\/wp-json\/wp\/v2\/posts\/138\/revisions\/1159"}],"wp:attachment":[{"href":"https:\/\/www.visualizingvenice.org\/visu\/wp-json\/wp\/v2\/media?parent=138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.visualizingvenice.org\/visu\/wp-json\/wp\/v2\/categories?post=138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.visualizingvenice.org\/visu\/wp-json\/wp\/v2\/tags?post=138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}